Read More: Best Boxing Movies of All Time 9. The characters float aimlessly with swinging emotions and they never really know what they want in life. There’s a feeling of existential numbness plaguing the characters that is almost palpable in its intensity. The two grow closer to each other, almost inseparable now, and fear whether Anna would return one day. Antonioni subverts the mystery element and turns it into what the mystery does rather than focusing on the disappearance of the woman. Sandro and Claudia search for her and in the process fall in love with each other. The film follows three friends, Sandro, Anna, and Claudia, who go on a boating trip which turns out to be a nightmare as Anna goes missing during. Italian auteur Michelangelo Antonioni’s meandering style might turn out to be a put off for some, initially but it’s intended to reflect the character’s flailing state of mind.
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It’s dark, funny, weird and so full of passion. Things take bizarre turns as the lovers reveal about themselves, wrecking their relationship. Their journey doesn’t go well as they witness a car accident which, according to Lula, is a bad omen. He later breaks his parole and runs away with Lula to California while a detective and a gangster, hired by Lula’s mother, chase them. Lula and Sailor were separated by Lula’s mother who got a man into attacking Sailor but turns out he killed the man in self-defence. Wild at Heart (1990)Ī dark, twisted tale of romance, ‘Wild at Heart follows a couple who escape the girl’s mother and the gangsters she hires to kill the man. Read More: Best Voyeurism Movies of All Time 11. The lack of humanity certainly hampers the emotional experience but nevertheless it’s a pretty exciting romance that’s fascinating to watch. But in reality both are unsure of each other’s relationship as they are unsure about their own selves. Patricia is frightened of her relationship with Michel due to his wavering attitude. Godard’s flippant style works well with the characters’ carefree outlook on life and relationships despite the emotional distance he creates between his viewers and the characters. Now this is what the story of ‘Breathless’ looks like. Michel steals a car and murders a policeman as he runs off to pursue his love interest, Patricia. And it’s this lack of emotion that makes it hard to categorise any of his work. Many people have often complained about Jean Luc-Godard’s cinema lacking any emotions. Bertolucci beautifully paints their anonymity, their pain and anguish in a way that leaves you floored by its humanity. The romance here is toned down and the sexual overtones are heated up but the lead characters strange a very mysterious and bizarre relationship too complex to be put into words. But there’s also no denying the fact that the film is an exquisitely crafted piece of pure erotic cinema. I wouldn’t go deep into the controversial aspects of the film but let’s say, it makes the film feel a lot more disturbing and inhuman. It’s incredibly painful and tragic beyond words. I could never bring myself to watch this film all over again.
Read More: Best Sad Romantic Movies of All Time 13. But they go on because it’s this dark uncertainty of life that makes it so exciting and worth living for. Robinson but forms an emotional connection with her daughter as they end up running away after her marriage only to realise that they screwed up badly. There is nothing that isn’t screwed up about Benjamin’s life. He is seduced by the wife of his father’s business partner but then he later falls in love with her daughter. The film tells the story of Benjamin Braddock, a college graduate with no real aim in life. ‘The Graduate’ may not sit well with the younger audiences of today but parts of it still manage to entertain and enthral in a way very films could ever do.
It’s deeply complex, dark exploration of love that takes various forms throughout its time. But Hanna’s past comes back to haunt her and Michael distances himself from her.
Hanna finds comfort in words and asks Michael to read her stories after they make love. They gradually develop feelings for each other and their relationship grows increasingly passionate and more complex. Months later they meet up again and develop a sexual relationship. Hanna Schmitz, played by Kate Winslet, is a tram conductor who meets a young boy who’s sick and helps him get back home.
‘The Reader’ depicts the relationship between a 15-year-old boy and a 36-year-old woman.